“Here goes another one!” So we went ashore with them across a level flashing sea to the wonderful green land. We landed on a tiny wharf, and the dream became more insistent; for know that for twenty-seven days we had been rocking across the ocean on the tiny Snark. Not once in all those twenty-seven days had we known a moment’s rest, a moment’s cessation from movement. This ceaseless movement had become ingrained. Body and brain we had rocked and rolled so long that when we climbed out on the tiny wharf kept on rocking and rolling. This, naturally, we attributed to the wharf. It was projected psychology. I spraddled along the wharf and nearly fell into the water. I glanced at Charmian, and the way she walked made me sad. The wharf had all the seeming of a ship’s deck. It lifted, tilted, heaved and sank; and since there were no handrails on it, it kept Charmian and me busy avoiding falling in. I never saw such a preposterous little wharf. Whenever I watched it closely, it refused to roll; but as soon as I took my attention off from it, away it went, just like the Snark. Once, I caught it in the act, just as it upended, and I looked down the length of it for two hundred feet, and for all the world it was like the deck of a ship ducking into a huge head-sea.!

There are hosts of people who journey like restless spirits round and about this earth in search of seascapes and landscapes and the wonders and beauties of nature. They overrun Europe in armies; they can be met in droves and herds in Florida and the West Indies, at the Pyramids, and on the slopes and summits of the Canadian and American Rockies; but in the House of the Sun they are as rare as live and wriggling dinosaurs. Haleakala is the Hawaiian name for “the House of the Sun.” It is a noble dwelling, situated on the Island of Maui; but so few tourists have ever peeped into it, much less entered it, that their number may be practically reckoned as zero. Yet I venture to state that for natural beauty and wonder the nature-lover may see dissimilar things as great as Haleakala, but no greater, while he will never see elsewhere anything more beautiful or wonderful. Honolulu is six days’ steaming from San Francisco; Maui is a night’s run on the steamer from Honolulu; and six hours more if he is in a hurry, can bring the traveller to Kolikoli, which is ten thousand and thirty-two feet above the sea and which stands hard by the entrance portal to the House of the Sun. Yet the tourist comes not, and Haleakala sleeps on in lonely and unseen grandeur. “How glad Madame would be to have him!”

As I write these lines I lift my eyes and look seaward. I am on the beach of Waikiki on the island of Oahu. Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea. Nearer, the sea is emerald and light olive-green. Then comes the reef, where the water is all slaty purple flecked with red. Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks. Through and over and out of these wonderful colours tumbles and thunders a magnificent surf. As I say, I lift my eyes to all this, and through the white crest of a breaker suddenly appears a dark figure, erect, a man-fish or a sea-god, on the very forward face of the crest where the top falls over and down, driving in toward shore, buried to his loins in smoking spray, caught up by the sea and flung landward, bodily, a quarter of a mile. It is a Kanaka on a surf-board. And I know that when I have finished these lines I shall be out in that riot of colour and pounding surf, trying to bit those breakers even as he, and failing as he never failed, but living life as the best of us may live it. And the picture of that coloured sea and that flying sea-god Kanaka becomes another reason for the young man to go west, and farther west, beyond the Baths of Sunset, and still west till he arrives home again. The scenery between Vieiras’s (where the Kaupo Gap empties into the sea) and Lana, which we covered in half a day, is well worth a week or month; but, wildly beautiful as it is, it becomes pale and small in comparison with the wonderland that lies beyond the rubber plantations between Hana and the Honomanu Gulch. Two days were required to cover this marvellous stretch, which lies on the windward side of Haleakala. The people who dwell there call it the “ditch country,” an unprepossessing name, but it has no other. Nobody else ever comes there. Nobody else knows anything about it. With the exception of a handful of men, whom business has brought there, nobody has heard of the ditch country of Maui. Now a ditch is a ditch, assumably muddy, and usually traversing uninteresting and monotonous landscapes. But the Nahiku Ditch is not an ordinary ditch. The windward side of Haleakala is serried by a thousand precipitous gorges, down which rush as many torrents, each torrent of which achieves a score of cascades and waterfalls before it reaches the sea. More rain comes down here than in any other region in the world. In 1904 the year’s downpour was four hundred and twenty inches. Water means sugar, and sugar is the backbone of the territory of Hawaii, wherefore the Nahiku Ditch, which is not a ditch, but a chain of tunnels. The water travels underground, appearing only at intervals to leap a gorge, travelling high in the air on a giddy flume and plunging into and through the opposing mountain. This magnificent waterway is called a “ditch,” and with equal appropriateness can Cleopatra’s barge be called a box-car. The camera cannot do justice to the House of the Sun. The sublimated chemistry of photography may not lie, but it certainly does not tell all the truth. The Koolau Gap may be faithfully reproduced, just as it impinged on the retina of the camera, yet in the resulting picture the gigantic scale of things would be missing. Those walls that seem several hundred feet in height are almost as many thousand; that entering wedge of cloud is a mile and a half wide in the gap itself, while beyond the gap it is a veritable ocean; and that foreground of cinder-cone and volcanic ash, mushy and colourless in appearance, is in truth gorgeous-hued in brick-red, terra-cotta rose, yellow ochre, and purplish black. Also, words are a vain thing and drive to despair. To say that a crater-wall is two thousand feet high is to say just precisely that it is two thousand feet high; but there is a vast deal more to that crater-wall than a mere statistic. The sun is ninety-three millions of miles distant, but to mortal conception the adjoining county is farther away. This frailty of the human brain is hard on the sun. It is likewise hard on the House of the Sun. Haleakala has a message of beauty and wonder for the human soul that cannot be delivered by proxy. Kolikoli is six hours from Kahului; Kahului is a night’s run from Honolulu; Honolulu is six days from San Francisco; and there you are.